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Reed
& Barton Flatware: A History
Reed &
Barton Flatware
Whatever
the occasion, Reed & Barton Flatware brings a beautiful
touch to any table setting. With styles ranging from elegant
traditional patterns to chic contemporary designs, you're
sure to find a look that's right for your home decor with
Reed and Barton Flatware.
For more
than 183 years, Reed & Barton products have been the choice
of those with discriminating taste. An unwavering
commitment to quality and customer satisfaction can be found
in every product that bears the Reed & Barton name.
Founded in
1824 in Taunton, Massachusetts, Reed & Barton enjoys a
reputation as one of the country’s foremost marketers of
fine tableware and giftware. Recognized for design
excellence and the highest quality workmanship, Reed &
Barton offers an array of exceptional products that satisfy
a broad range of tastes. Today the Reed & Barton name
graces fine flatware, dinnerware, crystal, giftware, and
picture frames, as well as a wide variety of expertly-made
handcrafted flatware and jewelry chests. Since its
founding, the company has remained privately owned by the
family of Henry Reed. Reed & Barton products can be found
in fine department stores, specialty gift shops and jewelers
nationwide, as well as online through a variety of
e-merchants.
Throughout
the company’s history, Reed & Barton products have achieved
distinction for their high quality. During the American
Civil War, Reed & Barton produced a considerable quantity of
weapons for Union Army soldiers and officers. Reed & Barton
was exclusively chosen to design and produce the official
gold, silver, and bronze medals for the 1996 Summer Olympics
in Atlanta, of which there are authentic samples on display
at the Old Colony Historical Society museum in Taunton. The
company's products are considered to be of such a high
standard that they are used at the White House in
Washington, D.C. Today, the company operates a factory store
at the plant site, an outlet store at Wrentham Premium
Outlets in Wrentham, Massachusetts, and an online store as
well.
Reed &
Barton Flatware
Reed and
Barton's tradition of excellence in design and craftsmanship
is evident in each piece, with patterns in stainless steel,
silverplate, and sterling silver to fit all dining and
entertaining needs with a beauty and artistry you'll only
find with Flatware Sets by Reed & Barton and Silverware sets
by Reed & Barton. Store your Reed & Barton flatware and Reed
& Barton silverware with beautiful Reed & Barton Flatware
chests available in a variety of styles, allowing you to
safely store your Reed & Barton flatware sets and flatware
collections. Place settings, hostess sets, serving sets are
all available from Reed and Barton, with a full range of
place forks, place knives, carving knife sets, steak knife
sets, teaspoons, place spoons, serving spoons, salad forks,
butter knives, sugar spoons, gravy ladles -- and much more,
ensuring that all your dinner services are enriched with the
unparalleled quality of Reed & Barton fine flatware and
silverware collections.
Waterford Flatware
With
a lineage tracing back to 18th Century Ireland, Waterford
Crystal continues to produce the world's finest crystal
stemware and dinnerware. Bringing that same artistry and
craftsmanship to the world of fine silver and stainless
steel flatware, Waterford Silver flatware collections by
Reed & Barton build on the tradition of excellence.
Waterford china, stemware, and flatware collections are
renowned the world over for the beautiful craftsmanship
evident in each piece. Waterford place settings, serving
sets and hostess sets enrich any entertaining or dining
experience. The fine craftsmanship of Waterford Crystal
comes to the world of silverware and flatware with Waterford
Silver Flatware collections by Waterford Crystal. Waterford
fine flatware and silverware sets are crafted from high
quality 18/10 stainless steel, guaranteed to add elegance
and glamour to any table setting. Waterford Silver flatware
includes place forks, place knives, place spoons, teaspoons,
salad forks, cocktail forks, oyster forks, forks, knives,
spoons, knife, carving knife sets, steak knife sets, serving
spoons, serving forks, butter knife, butter knives, sugar
spoons, iced beverage spoons, pierced serving spoons, salad
spoons, gravy ladles, place settings, serving sets, hostess
sets, cake knives, cake servers, pie servers.
Thomas
O’Brien Flatware
Thomas O'Brien Flatware by
Reed & Barton features contemporary flatware patterns that
draw inspiration from classic flatware patterns, and are
beautifully rendered in stainless steel. Place settings,
hostess sets, serving sets are all available from Thomas
O'Brien flatware, with a full range of place forks, place
knives, teaspoons, place spoons, serving spoons, salad
forks, butter knives, sugar spoons, gravy ladles -- and much
more, ensuring that all your dinner services are enriched
with the unparalleled quality of Thomas O'Brien stainless
steel flatware collections by Reed & Barton.
Williamsburg Flatware
Williamsburg Flatware by Reed
& Barton draws from the very best of classic colonial
designs to create beautiful stainless steel flatware and
sterling silver flatware patterns that bring traditional
elegance to modern living. Place settings, hostess sets,
serving sets are all available from Williamsburg flatware,
with a full range of place forks, place knives, teaspoons,
place spoons, serving spoons, salad forks, butter knives,
sugar spoons, gravy ladles -- and much more, ensuring that
all your dinner services are enriched with the unparalleled
quality of Williamsburg stainless steel flatware and
Williamsburg sterling silverware collections by Reed &
Barton.
About Reed & Barton: A
History
A family-owned company, Reed
& Barton Corporation is one of the oldest silversmiths in
the United States, its roots dating back to 1824. Over the
years, Reed & Barton has evolved into a diversified tabletop
company composed of several divisions. The Reed & Barton
Silversmiths division continues to produce a wide range of
fine sterling silver, silverplated, and stainless steel
tableware and gifts, including flatware, serveware, and
holloware, as well as picture frames, Christmas ornaments,
baby gifts, and musicals. The Reed & Barton Handcrafted
Chests division is the world's largest maker of wooden
jewelry boxes and flatware chests. In addition, it offers
protective rolls and storage bags for flatware and holloware,
cigar humidors, and pen chests. The result of a 1990s
acquisition, Miller Rogaska Crystal by Reed & Barton
produces handcrafted crystal, including stemware, barware,
and giftware. Another acquisition, the Sheffield Silver
Company, forms the basis of Reed & Barton: The Sheffield
Collection. This division concentrates on holloware and
silverplated tableware, offering products such as serving
trays, wine coolers, candleware, and napkin rings. The R&B
EveryDay division produces high-quality stainless steel
flatware intended for everyday use. Reed & Barton also acts
as the exclusive U.S. distributor for Belleek Fine Parian
China, Ireland's oldest pottery, and Aynsley Fine English
Bone China, a renowned, 200-year-old company that has
supplied tableware to England's royalty. Reed & Barton
maintains its headquarters in Taunton, Massachusetts, once
known as "Silver City" because of the number of silver
companies operating there. Reed & Barton products are sold
in department stores and specialty shops, and the company
also operates several retail stores.
Founding the Company in
the Early 1800s
The man responsible for the
founding of Reed & Barton, Isaac Babbitt, never worked with
silver. He first employed pewter--an alloy composed of lead
and tin and used to make everyday items such as tankards and
dishes. Babbitt, who ran a pewter shop in Taunton,
Massachusetts, then found a way to emulate a white metal
alloy made from tin, antimony, and copper called Britannia
metal, used by the British in the making of flatware and
holloware sold in the United States. In 1824 he joined
forces with Taunton jeweler William Crossman, forming a
company named Babbitt & Crossman to produce their own
Britannia tableware. Over the next two decades the company
added associates and periodically amended its name, becoming
Babbitt, Crossman & Company in 1827, Crossman West & Leonard
two years later, and the Taunton Britannia Manufacturing
company in 1830. Along the way, Henry G. Reed and Charles E.
Barton, friends and fellow craftsmen, came to work at the
firm. When the business failed in 1834, following years of
steady growth, Reed and Barton, just in their 20s, stepped
in to buy it. In 1837 the company was renamed Leonard, Reed
& Barton, then in 1840 it assumed its modern name, Reed &
Barton. The two men would run the business together for
three decades. After Barton died of a heart attack in 1867,
Reed carried on, but as a tribute to his longtime friend he
decided to retain Barton in the company's name. Ownership of
the firm would be passed down through the Reed family.
By the mid-1800s Britannia
fell out of favor as a tableware material, supplanted by a
new substitute for the prohibitively expensive silver.
Sheffield Plate, developed in the 1740s, fused sterling
silver to a plate of copper, but in 1840 this technology was
superseded by electroplating, which deposited a thin layer
of silver on a base metal, copper and later nickel, to
produce items with a pure silver appearance. Electroplated
silver gave consumers the look they wanted at a reasonable
price, and as a result, by the early 1850s the new metal
replaced both Sheffield Plate and Britannia metal as the
flatware material of choice. Reed & Barton followed the
market, and thus became involved in silver for the first
time and a pioneer in the practice of silverplating. But
silverplate would soon find competition from an unsuspected
corner: sterling silver itself. In 1859 the legendary
Comstock Lode of silver was discovered and once mining
operations in the area were up to speed, silver flooded the
market, bringing down prices to the point at which there was
little difference between the price of items made from
silverplate and actual sterling, which now became the
material preferred in wedding gifts. Reed & Barton turned to
sterling manufacturing in 1889 and by the end of the century
committed an entire factory building to its production.
Maintaining Reputation for
Quality: Early 20th Century Through Post-World War II Era
With the start of the 20th
century, Reed & Barton underwent a change in leadership,
following the 1901 death of Henry Reed at the age of 91. He
was replaced by his son-in-law, William B.H. Dowse. By now,
after decades of strong marketing efforts, Reed & Barton had
developed a reputation for quality craftsmanship and fine
design work, especially in sterling. The company's first
patented flatware pattern, "Roman Medallion," was introduced
in 1868. The firm's work was recognized in 1876 at the
Philadelphia Centennial Exhibition, which awarded it a medal
of excellence for its entry, an exquisite vase called "The
Progress Vase." Later, the U.S. Navy would commission Reed &
Barton to fashion ceremonial sterling services for several
battleships, including the Arizona, California,
Minnesota, Montana, South Dakota, and Utah.
Several years after Dowse took over, in 1908, Reed & Barton
introduced what would become its signature flatware pattern,
"Francis I," which remains the company's most enduring
design. It was so well regarded, in fact, that in 1924 a
Francis I sterling silver dinner service won a
million-dollar award from India's Maharajah of Barwani.
In 1923 Dowse was succeeded
as Reed & Barton's president by his son-in-law, Sinclair
Weeks, Sr. He would run the company for nearly half a
century. During his tenure the company became involved in
producing stainless steel flatware, a move born out of duty
rather than design. During the first half of the 1940s, to
fulfill its part in World War II, Reed & Barton switched
from making silver tableware for civilians to producing
flatware and holloware for the armed forces made out of
stainless steel. A shiny, rust-resistant alloy invented in
the early years of the century, stainless steel was
originally used in such applications as cannon barrels and
airplane engines before finding more mundane uses. In
addition to tableware, Reed & Barton relied on stainless
steel to produce surgical instruments for the Army Medical
Corps. Following the war, the company continued to produce
stainless steel tableware, which over the next half century
would contribute increasingly to the balance sheet. But
during the postwar years after servicemen returned home,
married, and produced the Baby Boom generation, Reed &
Barton's business remained very much devoted to the
production of sterling silver items, the sales of which were
spurred by a strong economy and the large number of weddings
and christenings that took place during this period.
Battling the Practice of
Deep Discounting in the 1970s-80s
In 1971 Sinclair Weeks, Sr.,
was succeeded as president by his son, Sinclair Weeks, Jr.,
who five years later would also take on the title of chief
executive officer. During his tenure, Reed & Barton acquired
the Sheffield Silver Company, founded in 1908 and well
respected as a maker of fine silverplated holloware,
especially its casseroles and bakers. The younger Weeks also
took over during a period of unpredictable silver prices,
due to rampant speculation. The result was that the public
was uncertain about the true value of silver and there was
confusion in the marketplace. The situation was complicated
by the practice of deep discounting in the U.S. silver
flatware industry. Manufacturers maintained high suggested
prices but sold their wares to retailers at realistic
levels. The retailers would then advertise a deep discount
on the products, based on the inflated manufacturer's
suggested retail price, in an effort to lure customers. It
was a successful practice, but it soon got out of hand. Late
in 1979 silver bullion prices jumped from $5 an ounce to
more than $48 an ounce in early 1980. Retailers took
advantage of their inventories, purchased before the
escalation in silver prices, to offer 50 percent discounts.
Then the silver market crashed, as did consumer demand for
flatware, and the dependence on deep discounting became even
more extreme. Reed & Barton's manufacturing rivals opted to
name their suggested retail prices in order to allow
retailers to advertise discounts as high as 85 percent. To
Reed & Barton the practice amounted to false advertising
intended to mislead consumers into making uninformed
decisions. To bring sanity to the situation, Reed & Barton
decided to stop issuing a suggested retail price list, but
retailers refused to comply and insisted the company
reinstate a price list. Reed & Barton finally agreed,
issuing a list that would allow retailers to mark down its
merchandise by some 25 percent. Some in the industry soon
followed Reed & Barton's lead, but others continued to abuse
the discounting practice. In March 1982 Reed & Barton sued
five competitors in federal court, charging "false
advertising concerning the price of their products." The
resulting publicity helped to at least convince retailers to
pull back on the use of deep discounting.
Aside from the deep
discounting flap, the 1980s represented a period of
significant change for Reed & Barton. The decade began
strongly, with the company making the single largest order
in its history: the 3,318 piece sterling service purchased
by the Saudi Arabian government. The set included 50 custom
sterling items, and ten four-foot and five-foot sterling
platters for carrying roasted lambs. But silver was falling
in popularity with the general public, forcing Reed & Barton
to diversify. A housewares division was formed to broaden
the product line. The company also began focusing more
attention on stainless steel, which was increasing in
popularity with consumers. As a result, Reed & Barton added
breadth to the range of its price points, straying from its
traditional perch at the high end of the market to the
moderate range. The company also took steps to beef up its
marketing efforts, especially in the bridal registry area.
By the mid-1980s, Reed &
Barton had isolated a number of areas that offered strong
potential: silverplated holloware, flat- ware, sterling
flatware, stainless flatware, and giftware. Reed & Barton
also was beginning to become less of a manufacturer and more
of a product developer, distributor, and marketer. To remain
competitive in the stainless steel arena, by the 1990s it
ceased manufacturing these products in Taunton and began
outsourcing to Asia, resulting in a steady drop in the
number of people employed in Massachusetts. But at the same
time it added products such as Christmas ornaments, jewelry,
porcelain statues, and engravables. In the late 1980s Reed &
Barton also took a stab at the mass-market flatware
business, introducing a line of stainless and
plastic-handled flatware. To protect the value of the Reed &
Barton brand name, however, the products would assume the
Savvy label. Manufacturing would be handled by a Connecticut
company, with Reed & Barton providing the marketing and
distribution.
The 1980s also saw changes in
the top ranks of management. In September 1987 Albert D.
Krebel, the president and CEO of Farberware Corp., replaced
Weeks as president and CEO at Reed & Barton. Weeks stayed on
as chairman, however. For Krebel it was a return to the
silver industry, where he had more than 20 years of
experience, working in sales and marketing and holding
management positions at Gorham Silver Co., International
Silver Co., and Wallace Silversmiths.
Product Diversification
Along with Commitment to Tradition in the 1990s and Beyond
Under Krebel, Reed & Barton
continued its efforts at diversification in the 1990s. Early
in the decade, the company entered into a new product
development joint venture with Swid Powell, a tabletop
specialist. As a result of the collaboration, Reed & Barton
began manufacturing and distributing architecturally
designed serveware products. Next, Reed & Barton came to an
agreement with the Ralph Lauren Home Collections to act as a
licensee to produce sterling silver, silverplate, and
stainless steel flatware, which would be sold in the same
retail outlets as Ralph Lauren's china and crystal tabletop
products. In the 1990s other licensing deals would follow,
including agreements with Waterford and Royal Doulton. The
company also became involved in crystal. In 1993 it became
the exclusive distributor of Val Saint Lambert Crystal's
high-end tabletop lines in the United States, Canada, and
Mexico. Reed & Barton also added the North American
distribution rights for Aynsley china, Belleek china, and
Galway crystal. Moreover, the company became involved in
crystal manufacturing with the 1996 purchase of Miller
Rogaska Crystal Co., maker of mid-range to upper-priced
crystal stemware, barware, and giftware.
Reed & Barton reached a
watershed moment in 1996 when sales of its stainless steel
flatware outpaced sterling silver flatware for the first
time. Nevertheless, the company continued to offer its
time-tested sterling silver designs and continued to
maintain a reputation for contemporary craftsmanship. Reed &
Barton was selected by The Atlanta Committee for the Olympic
Games to manufacture the gold, silver, and bronze medals for
the 1996 Olympic Games. This contract was prestigious and
highly coveted, and was the culmination of an established
relationship between Reed & Barton and the committee.
Already the company had been named a licensee of Olympic
Games merchandise, granted the exclusive rights to market
sterling silver, silverplate, goldplate, and wood giftware.
In addition to producing 2,600 competition medals, Reed &
Barton would make the wooden cases for them and also produce
30,000 commemorative medals to be given to dignitaries and
others associated with the games. Reed & Barton's reputation
also would be recognized, and enhanced, in 1998 when the
company was chosen to redesign the Davis Cup, awarded
annually in an international team tennis tournament.
Reed &
Barton marked its 175th anniversary in 1999 by launching its
first web site, but the company entered the new century
committed to maintaining its tradition and the value of its
brand by not venturing too far afield from the position in
the high end of the market it had carved out over the years. |